Few and Far was invited to Clogged Caps 9, held in San Antonio Texas from April 3-6. Over 75 artists participated in painting jazz themed murals. Meme organized the layout for the Few and Far wall and colaborated with member Diety as well as guest artist Mavel. The wall has a beautiful lady painted by Diety in the center of the wall holding a microphone with piano keys swooping across the sky. Meme catches your eye on the left and the right caps off with an awesome Mavel piece. The mural was successful and the ladies had a fantastic time in San Antonio! Special thank yous go out to The Paint Yard, Lurk Hard, and Mary Jane Clothing as well as Supher CBS/Laws for the support!
Few and Far artist Jenn Ponci had the pleasure of meeting Sherry, the owner of Rudechix at the 10th annual Fresno, CA Tattoo Convention. She wandered in looking for a niece’s gift, and discovered not only fun and unique products, but a respectable business that supports tough women! The fliers had women posing in front of graffiti with phrases like “my aunties tattoos are sick”, which was just what Jenn was looking for. For roller derby enthusiasts and women with attitude everywhere, Rudechix carries unique statement tees for adults, children, and babies. You can find more of their products at www.rudechix.com.
BEAUTIFUL DISASTER // a visual expoloration in the duality of nature.
A solo exhibition by KAZILLA
Opening Reception Saturday, March 22, 2014, 7p-12a
Rise Up Gallery, located at 187, NW 27th Street in Miami’s Wynwood Art District
Curated by Justin Hamel & Yess Miakoda, founders of You & I Are Love
Music performances by Smurphio, Somejerk, & Y Diz. Complimentary refreshments with $5 love donation, no cover. Raffle for an original painting by Kazilla, tickets only $10
Exhibit dates: March 22 – April 20, 2014
About BEAUTIFUL DISASTER, a note from the artist.
When you break life down to its simplest form, you are left with nothing but molecular material. these molecules are joined and linked together to create all that is around us, and within us. Thus giving us life, the duality of life and death, positive and negative, action and reaction, a beautiful disaster.
In this body of work, I tried to break down my traditional process and try to work in reverse. Almost like trying to write with your non-dominant hand, I struggled with the balance of negative and positive space. So often I use color as a buffer and segway into the subject of my work. Splashing color, letting the paint run and move and shift until I’m comfortable with a blanket of color before I even start to consider what to put on top of it. Then typically I freehand a design, or I specifically choose a direction, the execute my subject matter. This work, I broke down the normal routine, explore ways to open the mental process to new avenues of direction and inspiration. Then came the fun part – getting loose, freeing my form. Using excessive color, salt, spray paint, house paint, and even tempra to create the base work. Then Instead of using this as a backdrop, I worked with the random patterns and shapes within the layers of paint to find a fill for my subject. Using bold empty spaces, I created a void, an opportunity to realize the construct and architecture of what made my subject come to life. Bringing balance to the works I finished the statement by adding either cellular masses, which resemble not only the being, but the environment around them, as well as geometric patterns, which express the way that our own energy, life and actions would look in a 2 dimensional space.
Exploring free form: We all have good and bad habits, all learned through past behaviors. The beauty of free hand or “live” work is that the act of pure inspiration and creation comes from a place without habits. Dive deeper than the mental, deep within your psyche/DNA/ancestral lines, or WHEREVER your ‘make and break’ primal instinct has sprung from. once your are free from that per-conceived notion, we are open to formulate organic thoughts and concepts and therefore our creativity flows freely. Bruce Lee couldn’t have put it better when he remarked : “You must be shapeless, formless, like water. When you pour water in a cup, it becomes the cup. When you pour water in a bottle, it becomes the bottle. When you pour water in a teapot, it becomes the teapot.”
As one of the top street artists that represent MIA, internationally renowned – KAZILLA is famous for creating true ‘performance art’. Painting live murals and works of art in the spotlight for a myriad of audiences, such as leading recording artists and their masses of onlookers, museums, exclusive events, major brands, print and TV. To most it would be a bit unnerving, asked to make a masterpiece in front of hundreds, sometimes thousands of eyes, all watching your every move and mistake. Using the pressure and constant critique to her advantage, Kazilla has mastered the art of “free hand”, “working your mistakes, instead of your mistakes working you”, “speed painting” and the “minute masterpiece”. The best part of KAZILLA’s “work” is that 95% of her live work is indeed free handed.
KAZILLA’s style bounds between the street arts and fine arts. A native of New Mexico, she currently resides & works from her studio/gallery in Little Haiti, Miami. After moving to the east coast in 2007, her work transcended street art, and combined her two styles of fine art and graffiti to create an edgy, colorful clash of two very different worlds. Often using various mediums to create her distinctive style, there is always a level of experimentation in every piece, keeping the work fresh and dynamic. Organic themes infused with feminine figures, surreal landscapes, geometric patterns and vibrant colors create a daunting visual feast for all audiences.
Although Kazilla brightens the Miami landscape with murals and street art almost daily, she is also a regular globe trotter – hitting the streets the world over to leave her mark, and her art. In addition to creating cutting edge street art, Kazilla also paints live at events for performers such as Wu-Tang Clan, The Marleys, Chaka Khan and Timbaland, and for brands like Adidas, Converse, Guess, Choice Hotels, Oxygen Network, & Societe Perrier to name a few. Her fine art endeavors include establishments such as the Museum of Art, both in Ft. Lauderdale and Coral Gables, Miami MOMA, and galleries in NYC, LA, DC, London, France, & upcoming in Dubai. In her off hours she also works as a performance artist, designer, muralist, photographer, producer, musician, philanthropist, and consultant.
\\\ Kazilla Productions ///
ARTIST // DESIGNER // PRODUCER
A series of samples from “We should all be feminists”, a speech delivered by Nigerian author Chimamanda Ngozi Adichie at a TEDxEuston conference in April 2013, starts at 1:24 and forms the second verse of the song:
We teach girls to shrink themselves, to make themselves smaller. We say to girls, ‘You can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise you will threaten the man.’ Because I am female, I am expected to aspire to marriage. I am expected to make my life choices always keeping in mind that marriage is the most important. Now marriage can be a source of joy and love and mutual support. But why do we teach girls to aspire to marriage and we don’t teach boys the same? We raise girls to see each other as competitors – not for jobs or for accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are. Feminist: the person who believes in the social, political and economic equality of the sexes.
800 W. Katella Ave.,
Anaheim, CA 92802
click for map
Friday: 12:00 PM – 7:00 PM
Saturday: 10:00 AM – 7:00 PM
Sunday: 11:00 AM – 5:00 PM
Extended program hours on
Fri. & Sat. after 7:00 PM
Wonder Con website HERE.
WonderCon was started in 1987 in Oakland, California, as “The Wonderful World of Comics Convention.” The show was the brainchild of Bay Area comics retailer John Barrett, who called on a number of friends and associates to help realize his vision, including Bob Borden, Bryan Uhlenbrock, Rory Root, and Mike Friedrich. With the third year, “WonderCon” became the official name of the convention. The original show included all the classic comics convention features: an Exhibit Hall with dealers selling old and new comics and other items, programming, anime screenings, and games. In 2001, after the 15th event, then co-owners Mike Friedrich and Joe Field (another prominent Bay Area comic retailer) decided they could no longer devote the time needed to maintain the quality of the show they helped create. They contacted Comic-Con International in hopes that the organization could fold WonderCon into the Comic-Con family of conventions.
Comic-Con International took over the show in 2002 and moved it from Oakland to downtown San Francisco in 2003. After 15 years as a Bay Area event, WonderCon was forced to move to Anaheim in 2012, due to construction at its San Francisco home, the Moscone Center. In 2013, the event—now called Comic-Con International Presents WonderCon Anaheim—will once again be held in southern California, as WonderCon organizers were unable to secure dates in San Francisco at Moscone Center. It is the hope to one day return the show to its San Francisco and Bay Area roots; however, Moscone Center is the only facility with enough meeting and contiguous exhibit space to hold the event, which has grown by leaps and bounds over the years. In 2011 in San Francisco, WonderCon attendance reached almost 50,000.
WonderCon is literally the sister show to Comic-Con International, embracing all the main aspects of that show, including comics, movies, TV, animation, the Masquerade, and more. The event has grown in all aspects over the years: more attendees, more exhibitors, more programming, and more fun. In its current Anaheim-based incarnation, WonderCon continues to be a must-attend event on the comic book convention schedule.
- See more at: Comic Con.Org
Bryn Perrott makes these awesome wood cuts. You can order t-shirts also.